![]() These stories are not only entertaining but, moreover, teach lofty values and contain deep philosophical thoughts. Wayang stories are usually taken from episodes of the Hindu classic sagas of the Mahabharata and the Ramayana. For this reason, in Indonesia, the performance is called Wayang Kulit, or the Wayang Leather puppet performance, to distinguish it from other forms of wayang puppets that may be made of wood, for example. Wonderful IndonesiaĪlthough the audience watches the story unfold in shadows of figures thrown from behind the screen, the characters of the play are not mere puppets, but are in fact crafted of very finely cut and carved untanned leather which are then beautifully painted over. The female singers in their traditional costums The third phase of reconciliation and friendship is finished at dawn. The battles and intrigues of the second phase are about three hours. The first of the three phases, in which the characters are introduced and the conflict is launched, lasts until midnight. The performance is also accompanied with female singers (pesinden) and male singers (wirasuara).Ī traditional wayang kulit performance begins after dark. The musicians sit behind the dalang in a gamelan orchestra setting, an integral part of the Javanese wayang kulit performance. A banana trunk lies on the ground between the screen and the dalang, where the figures are stick to hold them in place. ![]() A coconut-oil lamp (Javanese blencong or Balinese damar) – which in modern time usually replaced with electric light – casts shadow onto the screen. A stretched linen canvas (kelir) acted as a canvas, dividing the dalang (puppeteer) and the spectator. The stage of a wayang performance includes several components. The Dalang (Puppeteer) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. In a wayang kulit performance, the puppet figures are rear-projected on a taut linen screen with a coconut-oil (or electric) light. This program is part of Asia Society's ongoing initiative Creative Voices of Muslim Asia, supported by the Doris Duke Foundation for Islamic Art.Ĭan't make it to this program? Tune into /Live at 8:00 pm ET for a free live video webcast.Wayang kulit is a traditional Leather puppet-shadow play found in the culture of Javanese, Indonesia. This program is made possible in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. The three-hour performance will include an informal atmosphere allowing audiences to move around and see the performance from both sides of the keliror shadow screen.Ĭo-sponsored with the Consulate General of Indonesia, New York Cakra, Inc. Javanese wayang kulit, or traditional shadow puppet theater, is one of the world’s great theatrical traditions. His performances often have audiences of several thousand in Java, where he is known for his ability to present ancient stories with contemporary nuance and topical humor. Ki Purbo Asmorocombines the skill of a supreme master with the voice of a poet and the energy of a rock star. ![]() This one-night-only performance allows New York City audiences the rare opportunity to experience a traditional Javanese shadow-puppet play, featuring one of the most exciting and renowned artists performing today. Welcoming music will start 20 minutes before showtime With English translations provided live by Kathryn Emerson Accompanied by full Javanese gamelan orchestraįeaturing members of Mayangkara (Solo, Java) and Gamelan Kusuma Laras (New York City)
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