![]() “We focus on material with social relevance.” Rather than song-and-dance, their shows tackled topics like depression (via Andrew Hinderaker’s Suicide, Incorporated), autism (Mark St. “Twin Bill was always meant to be different,” he explains. Given that the majority of shows in the Philippines lean tend to be popular plays and musicals (“and there’s nothing wrong with that: I’ve done lots of Broadway musicals as an actor,” he chuckles), he decided to start his own company, Twin Bill Theatre. He’s also no stranger to political theatre. The latest Filipino graduate student to select UVic’s Theatre department for their Master’s degree (alongside the recent likes of Dennis Gupa and Chari Arespacochaga), Matheu has directed 40 shows over the years and, as an actor, has appeared in nearly 50 more. “That’s powerful material to move forward with.” International connection “Churchill depicts not only gender inequality and misogyny in this play, but also how ordinary people and those in power are coerced to fabricate baseless stories against the powerless, the innocent and the marginalized,” he says. Wade in the US, and an ongoing frenzy of public accusations on social media. Running February 16-25 at UVic’s Phoenix Theatre, Vinegar Tom has lost none of its raw power over the years indeed, it seems eerily prescient today given the recent spate of right-wing uprisings, the overturning of Roe v. When I was reading the play, I kept asking myself, ‘How can this be so relevant to our society today? Who benefits from inequality?’ As a theatre artist, it became a calling for me-I needed to do something.” “There’s a lot of disinformation happening in our society right now, both here in North America and at home in the Philippines, my own country,” says Matheu, who is directing Vinegar Tom as his thesis dissertation. Yet while we would like to think those days are behind us-be they 17th-century history or the protest-oriented ’70s-current Department of Theatre MFA candidate Francis Matheu feels Vinegar Tom is a distressingly contemporary piece of political theatre ideally suited to our tumultuous times. ![]() ![]() Her solution? Write a play that has no witches. What age is Come From Away appropriate for?Ĭome From Away is recommended for anyone aged 10 and over.When is a witch not a witch? That was the question facing famed British playwright Caryl Churchill back in 1976 when she penned Vinegar Tom, a scathing feminist satire that re-examines the social motives behind the accusation and persecution of those who were branded witches. How long is Come From Away?Ĭome From Away lasts one hour and 40 minutes, with no interval. The cast of Come From Away includes among others Jenna Boyd (Beulah and others), Mary Doherty (Bonnie and others), Jonathan Andrew Hume (Kevin J, Ali and others), Harry Morrison (Oz and others), Emma Salvo (Janice and others) and Cat Simmons (Hannah and others). The closest station is Tottenham Court Road Tube Station. Where is Come From Away playing in London?Ĭome From Away is playing at the Phoenix Theatre on Charing Cross Road in the West End. Written by Irene Sankoff and David Hein and awarded the Tony for Best Direction of a Musical, this true, but little-known, story is set to enchant new audiences in London following record-breaking performances in the US. Join a spirited group of characters whose stories are brought to life through music, as fear and confusion are turned into hope and unity in this uplifting musical. Relive the experiences of some of the small town’s 10,000 inhabitants, and 7,000 passengers who landed there unexpectedly that day. One such place was Gander – on the Canadian island of Newfoundland – where 38 flights were diverted. What is Come From Away about?Īs the events of 11 September 2001 unfolded, the US closed its airspace, forcing planes to land elsewhere. Discover a remarkable 9/11 story that was largely unknown, until now, with Come From Away at the Phoenix Theatre.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |