![]() They follow him right into her house, and he has to trick them to get them to leave. Buster Keaton shot most of this film outdoors in Oregon because the narrow-gauge railroad tracks that could accommodate antique locomotives were still in. The two boys follow him when he goes to call on Annabelle (Marion Mack). He has two loves: his engine and his girl. For more information about becoming a Museum member and to join online, please click here. The engineer, Johnnie Gray (Buster Keaton) gets down to oil around, and is observed by two admiring boys. Buster Keaton, original name Joseph Frank Keaton IV, (born October 4, 1895, Piqua, Kansas, U.S.died February 1, 1966, Woodland Hills, California), American film comedian and director, the Great Stone Face of the silent screen, known for his deadpan expression and his imaginative and often elaborate visual comedy. ![]() Order online or call 7 to reserve tickets. Summary: When Union spies steal an engineers beloved locomotive, he pursues it single-handedly and straight through enemy lines. TICKETS: $15 public / $9 Museum members / free for Silver Screen members and above. Buster Keaton was no stranger to landing on his backside, but even he found the Steamboat Bill Jr (1928) shoot gruelling. The music brings Keaton’s great film to life in a performance that will enchant audiences of all ages. The acclaimed Australian musical ensemble Viola Dana makes a special New York appearance to perform violist and composer Kathy Corecig’s fresh and delightful new score, a country- and bluegrass- infused blend of American folk tunes, Steve Reich-inspired train evocations, and the spontaneity of jazz improvisation. Filled with brilliantly structured gags and a romantic subplot, The General is also a photographic marvel, evoking the Civil War period in as much detail as Matthew Brady’s photography. In his comic masterpiece The General, Buster plays a young Southerner rejected by the Confederate Army as a coward who wages a one-man war against the hijackers of his beloved locomotive.
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